Lee Lawrie

Lee Oscar Lawrie (1877-1963) \nAmerican sculptor, born in Rixford, Germany, October 16, 1877 and came to the United States in 1882, settling in Chicago. It was there at the age of 14 that he began working for a sculptor named Richard Henry Park. In 1892 he had the change to work for many of the sculptors in Chicago construction the White City for the Columbian Exposition of 1893. Following the completion of the work at the Expo, Lawrie followed the other mostly East Coast artists back east and settled in as an assistant to William Ordway Partridge. The next decade found him working with other established sculptors, St Gaudens, Martiny, Proctor, Kitson and others. His work at the St Lois Exposition under Karl Bitter, the foremost architectural sculpture of the time, allowed Lawrie to further develop both his skills and his reputation as an architectural sculptor. \nIt was Lawrie’s collaborations with Ralph Adams Cram and Bertram Goodhue that brought him to the forefront of architectural sculptors in America. For them he produced sculpture for the Chapel at West Point, Church of St Vincent Ferrer, St Bartholomew’s Church, and the reredos at St Thomas, the latter three being in NYC. After the breakup of the Cram, Goodhue firm, Lawrie continued to work with Goodhue [and his successors, after Goodhue"s death in 1924] on the Nebraska State Capitol, the Los Angles Public Library, the Rockefeller Chapel at the University of Chicago, the National Academy of Sciences Building in Washington D.C. and Christ Church Cranbrook, in Bloomfield Hills, MI. Other important commissions can be found at the Rockefeller Center, NYC, the Education Building in Harrisburg, PA, the Louisiana Capitol Building in Baton Rouge, LA, the Peace Memorial at Gettysburg, PA, the Fidelity Mutual Life Building in Philadelphia PA, the Ramsey County Courthouse in St. Paul MN, and the National Shrine of the Immaculate Conception and Library of Congress Annex, both in Washington D.C. In addition to these, Lawrie executed sculptures for at least three towers. The Harkness Memorial Tower at Yale University, New Haven CT, the Beaumont Memorial Tower at Michigan State University in East Lansing, MI, and the Bok Singing Tower in Mountain Lake, FL. Paradoxically, Lawries most recognizable work is not architectural. It is the Atlas figure on Fifth Avenue at Rockefeller Center in NYC. Over his long career his style evolved through Modern Gothic, to Beaux-Arts Classicism and finally into Moderne or Art Deco. Lee Lawrie expired in 1963.